War crimes in real life are almost doomed to the classic space fortress Karada episodes

Chris SnellgRove | publishing
One of the biggest things that separate Ronald Moore Space Fortress Callata Restarting is that it face political and social issues without fear. The most long -lasting issue of the show is the US anti -terrorism war, and how it promotes other good people to support and even engage in completely immoral behavior. However, once, when Syfy executives frankly depicting the “physical and bone” plot of torture, this almost derailed the performance.
Meat and bone

Executive producer David Eick believes that “meat and bones” are “infamous” because “it may represent the most extreme tension and differences between ourselves and the Internet.” This is because this is because “In Kara’s behavior of LeoBen, there are some drafts of the script very extreme, and they symbolize the situation of Guantanamo and such a place.” Ironically, the show wants to want Emphasizing the cause of being so evil, but Syfy is worried that these scenes will make the audience uncomfortable. This is the goal of the producer.
Eick admits that in “physical and bones”, “the connection with our own culture may be more literal, more accurate, and more metaphorical than the previous plot.” Perhaps because of this, the producer and Syfy executives eventually had the same argument behind the scenes, and Ronald Moore hoped that the audience would hope that the audience would have. As Eick pointed out, they found that they asked the Internet question: “This is not alone, why do you tell us to cut her eyeballs?!”

So, Eke admits that the earlier “meat and bone” draft does not Accurate The type of torture, but this is the representative sample of the producer asking Syfy’s scene: “Why do you feel sad about this?” The ultimate question is, “We try to take some real things, forcing the audience to meet with the Internet and meet the Internet. The same troubles.
It seems that Moore, Ek and the rest Space Fortress Callata The creative team hopes to emphasize the immoral behavior of the real world torture such as the real world such as the Tatama Bay and the spiritual gymnastics of those who forgive these actions after 9/11. When the US military torture was reported, many defenders soon proved that the war of war crimes was reasonable by adhering to the government’s non -humanized language. For example, these are not prisoners of war, these are “enemies of the enemy”, and they are members of the “evil shaft”.

This non -humanized common re -addition is torture is always No matter who does something wrong, and permanently pollutes all people participating in it. We can see that this kind of words are played in “meat and bones”. There, Starbucks was accused of asking a Cylon, who claimed to have planted nuclear bombs on a ship of the civilian fleet. She resorted to torture to obtain the required information, and the audience will naturally look at what she is doing, and even know how many lives may be threatened.
Of course, this is the point: Starbucks tortured “meat and bones” without hardening, because she does not regard him as a person, but as a ruthless machine. But we will feel uncomfortable, because he is hungry, bleeding and even preaching like humans, and the more we watch the hero torture him, the more we are worried that we will lose some important parts of her soul. This is David Eick and Ronald Moore, who tried to adhere to the large mirror of society, facing those who recognized torture at Guantama Bay, and deliberately caused the terrible pain.
However, the producer is a bit good at work. The early script of “meat and bones” is cruel enough to make the Internet worry that putting this torture on the screen. At the same time, the creative team behind the show is worried that if they do not show how bad this kind of thing is, more listeners will support it. Fortunately, the last episode still expresses its own views in a strong way, and (frankly speaking, in order to alleviate the network liberation), we don’t have to watch Starbuck Gouge’s eyes before scrolling.