The distant future is the ancient history of AI drama “Antiques”

Science fiction novels adopt a variety of forms, but they must usually jump in the form of evolution or gear. The novelty of technology or nature is the key. Interestingly, in the past century, this type has rarely happened in itself. Do you say that the machine we build will try to replace us? Humans will die, but will our metal babies retain our inheritance? From Kareleapek to Kubrick MirrorThe person who tells the story shows us the fear of a few micro -chips. Science fiction may be rare in the theater, but the fresh burden still depends on Jordan Harrison AntiquitiesEssence Bodiless’s Museum Journey/Re -investigation of Human invention of half a thousand years. This imaginative but inertial thesis movement is unfortunate that it is like a small fault CD player eating on the same track.
Harrison’s series of episodes were a long -term object that extended from Europe to a distant anti -Utopia from 1816. This is a literal object course: a series of historic items-from fire pit to telephone, computer and smart mirrors-now are the obsession of superhuman human artificial intelligence, carefully planned relics. The god AI expressed welcoming us as two elegant, charming women, played by (elegant, charming) Kristen Sieh and Amelia Workman. They stared at the audience in cold equality in their regulations and dynamic shawls. “Looks still alive,” a person urges us, they mean. In Harrison’s framework device, our audience is a non -material creature played by the role of the “late people era”. We pretend to have body, organs and brains, gather in the virtual theater. If you want, you can be confused on our skin caregivers.


Looking back on Lake Geneva, Mary She Shelley (SIEH) and very pregnant Claire Clairmont (Workman) and Percy Shelley (Aria Shahghasemi) and Byron (Marchántdavis) (Marchántdavis), the latter is Clair’s lover and her baby father. The young literati (with Byron’s tired doctor (Andrew Gaman), he was warm in the fire pit. He told the story of ghosts himself. So far, so Gothic. Mary was suddenly shocked by inspiration. “If I use all the fires in the world, what should I do if I make a baby beyond death.” “What if I use all the lightning in the sky.” Mary’s debut novel: Alive!
Harrison has distributed the theme of penetrating narrative: natural breeding (babies) and life skills-Frankenstein resurrected dead meat; in the end, the machine that thought. The action flickered until 1910. A boy (Juli Yeis Render) was delivered by his poor father to take care of the two female factory workers. Miscellaneous objects. A lady (Cindy Zhang, wonderful dryness and fool) began the scene. Considering her recent cut -off finger, it was convenient to soothe her husband.


The “exhibition” of each period was announced by LED LIGHT’s flickering annual annual announcement: 1978, 1994, 20000, 2014, and later. We see robot technology, home computers, Internet, mobile phones, and digital assistants similar to Alexa. After the life of various characters we have encountered for a long time, we usually encounter sadness or fear at the inflection point. Harrison’s stable progress in tomorrow can definitely exacerbate the tension. When we bid ADieu by 2023 and face the world drawn by James Cameron, it is difficult to ignore your stomach tightening.作为一个思想实验,随着机器的兴起和文明沦为新杂志的稀疏性的崛起,将接下来的200多年的人类历史捕捉,哈里森的启示为±±±。 Maybe we will not end with fire or ice; in the rag, there will be two meat cakes stirring butter and arguing whether it is mating.
However, when Harrison was suspended for beauty selection and inverted scenes, you began to doubt that only ALT-Historial warning story. This playwright shows human progress, which is the fable for people who created toys in the end. Will the order of reversal light up? It’s not that I can see that it just takes us back to our start, with Mary Shelley, and then our aerospace tour guide, and then stop the power. The end of the world. I have been trying to find a clue in the movement movement. From 1816, the children of Clair to the followers, do people who innovate robots and artificial intelligence have a genealogy contact? It is still a delicate writing exercise. It has an exciting conversation and has high attention, but it is huge but few?
More importantly, there is inherent contradictions in Harrison’s world construction. If the dark creatures in charge of the museum can reproduce the past eras in a relatively real attitude, why do they not master the function of Teddy Bear or cast arms when these elements are actually incorporated into short dramas? “If they are tools, we will not be able to determine their practicality,” the sound reflection in the voice. “If they have religious significance, the gods they represent have been forgotten for a long time.” The scene is full of surreal, strange physical and physical distortion (for example, nightmare fuel AI video), We may appreciate the efforts of antique people to understand the human age. Language is another inconsistent head. I find it difficult to believe that the traitor’s human beings running from the killer “inorganic” in 2076 will argue like here, but in the future, there is an attempt to try to convey language degradation.
it’s a pity: Antiquities It is a fascinating concept. Harrison has a poetic philosophical tendency, but lacks a certain amount of guts. A person wants to know the Caryl Churchill will be manufactured by the premise (like Love and information,,,,, She is a short and sharp -shocked master). Even the tight casting and bold design can not overcome the feeling of these metaphors on the screen. David Cromer and Caitlin Sullivan and cherry selected All -Star Games shared the stage. I will look at anything about Andrew Garman. His delicate changes in this infinite but difficult father always attract you to move forward. The versatile Ryan Spahn is homosexual, lonely Robotics engineers, as well as the emotional detention and moral contempt of the mothers and girls of the dead university as the whole movie, crying as the whole movie. The task of the design team is to cross AEONS to achieve a miraculous transition: the island of life, disappearing, attraction designer Paul Steinberg’s silver metal box, in Taylor Miko Tyler Micoleau is bathing in surgery lighting, and the seductive sound of Christopher Darbassie plagues Brenda Abbandandolo.
Harrison explored technology and humanity ten years ago Marjorie primeAlso in the field of view of the playwright. A melancholy but family tragedy, Main A future, the elderly live with the AI replica of the late loved ones. These digital caregivers learn, parrots, and eventually make their dirty ward memories. Earlier works continued to be complicated and sympathetic characters in the closer focus. Antiquities It is more ambitious in the range, but by throwing his clean Harrison to a deep place, the really weird fish navigates in their light -free and water -based networks, which may be eternal.
Antiquities | 1 hour and 40 minutes. No midfielder rest. | Drama writer’s vision | 416 West 42nd Street | 212-279-4200 | | Buy tickets here