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Few movies can be woven as perfectly as history, culture and humans Los Frikis (Los Frikis)This story clarifies the quadruple sacrifice of Cuban’s punch in Cuba in the 1990s, as well as a group of people who injected themselves into HIV as a means of restoring autonomy in a society trying to restrain their status. Directed by Mike and Tyler Green Los Frikis (Los Frikis) This is a moving movie that captures the primitive spirit of rebellion, brotherhood and survival.
In this exclusive interview, I was fortunate to talk to the talented customers of the movie, Hekto McD (viva,,,,, Sergio & Sergei) And newcomer Eros de La PuenteHis portrayal of the two brothers was widely praised. Medina has brought rich experience and strength to his role. He reflects how the Music of Cubs Pacies, how the spirit of clothing and provocations shaped his character and inform him of his performance. At the same time, De La Puente appeared in his story film for the first time, introducing the challenges and victory that gradually played. This is an emotional person and deeply rooted in the historical background.
From the connection with the theme to the vivid behind -the -scenes magic at the critical moment, Hickto and the God of Love provided you with a fascinating glance. Los Frikis (Los Frikis)Essence This is our in -depth study of their creative journey, the power of punk, and the deep emotional interview that defines this extraordinary film.
Still from “Los Frikis” (Photo Source: Lord Miller)
Aayush Sharma: Congratulations to the team’s “LOS FRIKIS”, which is a beautiful and exciting story. My first question is about your role. His role makes his brother Paco worship, but he has experienced a complex emotional journey throughout the movie. As the first actor of the first film, how do you deal with the character’s view of the continuous development of his brother in the entire story?
Eros de La Puente: I think it is very prepared to be prepared. Just like, even if I do n’t take action at that moment, even if I do n’t have that scene, I will watch my brother ’s scene, or you know, you know what he is doing. I am serving this guy, I am paying attention to this person. Therefore, I will say that this is a big step, not just a role, such as Gustavo and Paco, but I think everything is beautifully plan Just like my elderly actor brother. He has more experience than me, and he is a person who guides me throughout the journey. So we are a bit-like, we do the same thing outside the movie, you know. I think, just like I try to become a PACO process in a weird way, or try to discover myself through PACO. It just happened as a by -product of our amazing relationship. We are like two other.
Aayush Sharma: Hector, punching sub -culture plays an important role in shaping character identity. How does punk music, clothing and cultural elements affect your portrayal of him?
Hekto McDIN: Well, the spirit of rock is very helpful to me. I mean, I have been looking for freedom. There is also Cuba’s Cuban tropical punk, with a special band. I mean, it was really difficult to become punk in Cuba at that time. Those people are so brave. Brave. At that moment, in Cuba, it was forbidden to listen to American music. Long hair is a prohibition. Thinking in different ways is a ban. As a result, the spirit of tropical punk from Cuba inspired me. Just make me. For a while, angry, hunger and wild. These are two things that help me.
Hector Medina (Hector Medina
Aayush Sharma: Hector, you were born in the late 1980s. This story is set in the 1990s, which means that you grew up in real life during these incidents in Cuba. After growing up, do you hear the story about the loss of the loss of the loss and the HIV? In addition, do you have a change in these people when shooting this movie?
Hekto McDIN: Yes, yes. I, I was born in 1989. I remember when I saw the first freak, I was five years old and six years old. My aunt told me: “Don’t look at him. Don’t look at him.” Yes, DD, people and crazy people. But I am very interested in this. These people are different in tropical countries in communist countries, which means in a communist country. Imagine it. That looks so different-hair, their clothes. I first saw the sound of electric guitar so different. Then in 13 years, I met Helson, who was still alive. I think he is the last weird person, the last, the only person who is alive, and the only Friery who injected HIV to HIV. At that time, I met him. He was so friendly and so kind that he always protected the work. Young people, because I used to go to this place, they only put rock music, which is just like the paradise in the middle of my town. This is a different culture, different people. I mean, I fall in love with those people and interact with this story.
Aayush Sharma: EROS, this is your first movie as an actor. Before that, you are making short movies. Now, you have participated in this incredible movie. If people do not know, they have been nominated for 6 awards in the Latin American Entertainment Film Award, which is consistent! As the actor who produces your first film, how does your experience?
Eros de La Puente: At first, this was very difficult, because I was used to all these new things, and when I knew my role, I had to prepare. Prior to this, I have done the theater, and everything will be organized, but with a movie, its shooting is unpredictable. Therefore, I must know where the characters in each point in the movie are. That is definitely a challenge. However, once I have all these knowledge and is fully prepared, it will feel like the best thing in history. My knowledge and research are in line with Heckto’s research and other people’s research, all of which are combined. We created this magic that made me feel like the most comfortable person in the world. All fear disappeared. I don’t think about it-I just reacted to Hekto, responded to Adria, and responded to everything on the scene. Eventually it becomes easier.
Eros de La PUENTE and Adria Arjona in “Los Frikis” still (photo source: Lord Miller)
Aayush Sharma: Your role tells you that his brother has no last scene of AIDS. At that moment, the friendship and deep bonds we saw between you were moving. Can you take us to see that scene? How do you feel it, what will you feel when you provide these dialogues and shoot that scene?
Hekto McDIN: Oh, I like that scene Los Frikis (Los Frikis)Essence In addition, that scene is my actor. Oh, when I did that scene, the next day, the director Mike and Taylor called me and said, “You have got a job.” From the first day of the movie, I just held all the emotions that day. Doing this scene with Mike and Tyler is a great experience because we have established a role together. They want to reach the point where I can cry and laugh at the same time. We must make a stunning last scene, because this is the last scene, we must ensure that it is effective, otherwise the movie will not be. I was very happy that day because we did well.
Eros de La Puente: I think we do well. I just remember that day-this was a stressful but beautiful day, because we had a beautiful moment before the shooting scene. We are together, chat-no, not really talking, I will correct ourselves-just sitting silently next to each other. Why are I just there? You know, we just sit silently next to each other without talking. Then we continued, we did the scene. We just feel the weird intangible thread that connects us. It is very beautiful.
“Los Friex” coming soon.
