“Brutalist” producer defends the use of AI for Oscar-winning films

The producers of the Oscar-winning film The Barbarian are defending the work’s use of artificial intelligence.
One of several producers involved in the film, Gugenheim, spoke with the deadline at the Oscars on Sunday night, saying the technology was just a tool.
“If you are in the post [-production] In movies, you use a lot of tools, whether it’s lighting, sound, these are versions of digital features,” he told The Outlet.
“The importance of what we do about making movies is that we trust actors, creatives, and the talent we make movies.
DJ Gugenheim, producer of “Brutalist”, said that AI in the film is used as a “tool” and that due to the production of technology, there are no unemployed jobs in the production process. (Earl Gibson III/Pensk Media via Getty Image)
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“I think the problem is when we take the job away,” he added.
Gugenheim said he doesn’t think the team is hiding the fact that they use AI, noting that the editors themselves shared the information.
Dávid Jancsó told Tech Magazine Red Shark News in January that Ukrainian software company Respeecher’s AI Tools were used to improve what Stars Adrien Brody calls Hungarian dialogue, which won best actors on this year’s Oscars and Felicity Jones.
“I am native Hungarian, and I know it’s one of the most difficult languages to learn to pronounce,” Jancsó told Red Shark. “It’s a very unique language. We teach [Brody and Jones] They did a great job, but we wanted to perfect it too so that even locals would find any difference. ”

Adrien Brody won Best Actor for “The Barbarian” at this year’s Oscars. (A24)
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According to Jancsó, Brody and Jones recorded their voices into AI software, using their voices as some dialects.
He also shared that generative AI was used in the final sequence of the film to create “architecture drawings and finished buildings” in the style of Brody’s character (architectural) .

Brody and his fellow co-star Oscar-Nominee Felicity Jones have some Hungarian conversations with the AI-adjusted “Brutalists.” (A24)
The revelation about the use of AI in movies has caused controversy, with some demanding disclosure rules for the School of Film Arts and Sciences next year.
“People are asking questions, for example, the college is asking if AI is being used. I said it’s great. There’s no problem with that, and you shouldn’t use AI to evacuate the job.”
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Director Brady Corbet also settled the controversy in a statement on diversity shortly after Jancsó’s interview: ER in post-production.
Corbet also said that production designer Judy Becker “her team did not use AI to create or render any building. All images are all images hand-painted by the artist. To clarify, in the memorial video in the background of the lens, our editorial team created images that were designed intentionally and looked like a bad digital renderer, 1980.”

Brady Corbet, director of the “Brutalist”, issued a statement following the AI controversy, confirming that AI is only used for Brody, showing only Jones’ Hungarian dialogue. (A24)
“Brutalist” is not the only nominated movie to use AI this year.
According to The Guardian, “Emelia Perez” uses AI to increase the range of sound for movie star Cara Sofia Gascon, according to The Guardian.

“Emilia Perez” also reportedly uses AI to adjust the singing of star Karla Sofia Gascon. (Shanna Besson/Page 114-Why not made-Pathé movie-French 2Cinéma©2024.)
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“Dune: Part Two” uses AI’s Fremenf characters, which have unique glowing blue eyes.
In the official production notes of the film, visual effects director Paul Lambert explained that they created “a machine learning model that is an algorithm trained from those “dunes” shots to find the human eye in the image and then give us matte in different parts of the eye.”

The production notes for “Dune: Part Two” confirm the use of AI models to help add glowing blue eyes to multiple characters. (Niko Tavernise/2023 Warner Bros. Entertainment)
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Bob Dylan’s biopic Complete Unknown also uses AI, but is only used for “3 short shots on a motorcycle, without involving performance or creative enhancement,” a statement about diversity.